That's when we are going to check who
says what and why and why they say it.
Explanation for each POV.
For first person POV:
1) make sure the
narrator doesn't talk about things they are not supposed to know
2) make
sure the narrator doesn't read minds but only body language
3) make
sure the narrator doesn't describe herself/himself (cause that's
annoying): I let my trousers fall along my incredibly, irresistible
toned butt while my deep hazel eyes looked at her all over... like
really? O.o
If you decide to go for some
head-hopping... I never did it in first POV so no idea but make sure
that the reader knows who is talking.
1) make sure
it's limited, like John can't know what Sally is doing on the other
side of the city. But you can switch to Sally's POV which is fine; in
that case make sure to write in her voice (slight change of
vocabulary).
2) For several characters in limited make
sure to use their voice with their specific vocabulary at all time. If you are doing Head-hopping like me, it's easier to read that way
and more realistic. If you separate the different POV in chapter it's
a little bit easier to handle in that case you need to have a
consistency check (that you don't shift POV that is).
For third person omniscient:
1) make sure
you don't shift into third limited. I never did it so I'm not too
sure how I would check it but that would probably be the main point.
If you are crazy enough for a
multi-character head-hopping madness:
Check each sentence to verify
who you are with and why it's the best suited POV for that particular scene.
No choice buddy that's a tough one.
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